Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions.

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

Other uncategorized cookies are those that are being analyzed and have not been classified into a category as yet.

< Back to Blog

Q&A: Stuart Avery, SA Promotions

Blog by Molly Jones under Live

30th September 2010

Q&A: Stuart Avery, SA Promotions

Manchester music’s movers and shakers give us their unique perspective on the best (and worst) of working with unsigned acts…

Stuart Avery from SA Promotions, one of Manchester's leading live events promotion companies, shares his insights.

Favourite Manchester bands: I Am Blackbird, JP Cooper, Rook & The Ravens, Beggar Joe, Dutch Uncles

What’s the best way for unsigned bands to approach you?

Drop me an e-mail with a short paragraph about the band, where they have played previously, and a link to a MySpace or website.

How can they make an impression?

Bands who are able to demonstrate some understanding of the live events industry and how it works will always get my attention. If a band gets in touch who have some great original tracks up on their site, some good gigs under their belt and they have  researched what we do and tell me why they think SA Promotions is the right organisation to work with them, I will always take them seriously.

What’s you biggest bugbear when it comes to dealing with unsigned bands?
Having to deal with the constant Band Vs Promoter attitude that runs through the unsigned scene. I can understand why a lot of bands are cautious of promoters, as they may have been ripped off, or have had bad experiences, but at the end of the day putting on a successful event is a partnership between both band and promoter, and there needs to be trust and open communication. Unfortunately, because of their past experiences, some bands bring a really negative attitude to the table which is not a good starting place for a potential relationship to blossom from.

Top tip for unsigned bands:
Research who you are targeting first; if you are a Brighton-based DJ act, there is no point in spending your time trying to sell yourself to a Manchester based promoter who deals with live music. It’s amazing how many bands waste loads of their time knocking on the wrong door!


Tags

artist outreach, booking gigs, gig promoters, live performances, manchester music scene, music industry contacts, unsigned artists

 
Sound City Artist Talent Development Programme open
Sound City Artist Talent Development Programme open
Artists and bands in Wales can apply for Launchpad Fund 2026
Artists and bands in Wales can apply for Launchpad Fund 2026
Bands & artists can apply to play Hastings Fat Tuesday
Bands & artists can apply to play Hastings Fat Tuesday
Calling Scottish artists! Apply to play Kelburn Garden Party
Calling Scottish artists! Apply to play Kelburn Garden Party
Record Store Day Unsigned returns to support grassroots talent
Record Store Day Unsigned returns to support grassroots talent
Calling bands & artists! Apply to play Outer Town Festival
Calling bands & artists! Apply to play Outer Town Festival